A couple pieces of dishes. So what? Sure, some of them are pretty, maybe even decorated beautifully and intricately. What's the big deal? Hmm. . . I wonder why they're here?
Those were some of the thoughts I had when I first happened upon this collection of fragments. However every second I stood there staring at them, the more exponentially my interest in them grew. Also, the more the answers to those questions came from a place of knowing, of relating, of camaraderie. Knowing where I was and the events of my own personal life that led shortly up to that point make, or rather I believe make, this photo even more beautiful and substantial. (And, not just because I was the photographer.)
The day I took this picture was June 20, 2012. A sunny although unusually cool summer day in Tohoku Region of Eastern Japan following a Typhoon. So the vast areas of land, foundations of former homes, piles of rubble stories high, and nearly everything was saturated with standing water. On this day it was easier for me to imagine what it must have been like in the days immediately following the horrible tsunami that had ravaged the land a little over a year prior. The group I was travelling with from the Terasaki Foundation out of UCLA were mostly second, third and fourth generation Japanese-Americans. As such, for them this was a chance to connect with their homeland: to learn, to meet, to offer help. On this day a camera crew filming a documentary was following us around recording our reactions. Well not so much mine, being straight
gaijin (aka: outsider and not Japanese), but the other kids. I didn't mind this though as it allowed me to experience my emotions and process what I was seeing in privacy and un-canned.
While walking around the area I came upon this collection of ceramic/porcelain fragments and something about it stood out to me. I had to take a picture of it. It was something small and really unremarkable given the other things in the area, but it completely captured my attention -- and continued to do so for probably 10 minutes.
So lets look again at my first picture. What do
you see? What do
you notice? What do
you think? . . . I thought several things: all of those shards look pretty in their own individual way. It didn't appear that any of them matched. On some of them were placed small pebbles. Some may have been from platters, dishes, vases or pots although there is also an intact, glass drinking container. These particular items were not scattered there by the wind or rain or that horrible tsunami a year before; these were placed there on purpose, by humans, in a sort of simple but beautiful and peaceful arrangement.
Here is another view, a different angle of what I originally saw.
Notice the repeating horizontal cement bars similar to the one the pieces were resting on. These are boundary demarcaters separating either rooms in a former home or possibly even home from home before March 11, 2011. It should be said that these pictures I've shown are actually out of sequence. The first photo on this blog was taken after this one, after I had dwelt on it for some time. After I had made an addition of my own on it after standing and looking at it for some time.
Look back at photo 1. It differs from photo 2. See the piece of green (my favorite color) decorated ceramic off to the left hand side, trying not to impose on the others but standing as a marker that someone was there, that someone saw the others, that someone found it beautiful, that someone believed she understood the meaning and wanted to pay her respects and share her sympathy. . . ? That was mine. That is how I felt.
Imagine standing in the rubble, ashes and remains of what used to be your home before a tragedy, possibly the greatest in your life, took everything away from you: items, photos, and most sadly people. Standing amid immeasurable items that barely survived the disaster, that were unusable and only slightly unrecognizable in their current state, imagine having to sort out "garbage" from salvageable items of things that had emotional value greater than any treasure trove of jewels, gold and finery. Decide what now had actual wealth and usability amid items who also had been broken and damaged in the disaster, guilt on top of the other emotions in a full boil under your surface, tasked with cleaning the remains up to standards of sorting refuse, and once sorted what you would do with them. It's hard to imagine, tough to imagine, maybe even tough to relate to. That's exactly what my family and I had to do following March 8, 2010 when my grandparents' house caught on fire destroying our family home and killing my grandmother in the process.

My tragedy was just a drop in the bucket compared to what the people in the town had gone through. I lost only one home, one family member, one family's lifetime of memories. Times that by tens of thousands and that's what the community had suffered. However mine was as emotionally murdering, heart fracturing and devastating to me. Yet these people had a large collective burden to the umpteenth power greater than just mine and still managed to rise again as a community. They found the strength to pick up the pieces and go on; the fortitude and perseverance to charge at life as it had been prior, unhindered. . . well maybe just a little.
I was there only a year after the tragedy yet so much had been sorted through and cleaned up. Of course it was done so in uniquely Japanese fashion: burnables separated from recyclables separated from non-burnable (which in this case included automobiles by the thousands), to help begin the process. However the gathering of fragments I happened upon were placed in arrangement and not thrown out. Why? I could only use my own emotional experience to come up with an answer that after much thought didn't turn out to be 'uniquely Japanese' but perchance more of a universal reaction and understanding that victims of this sort of tragedy possess. They were placed there to serve as memorial possibly, too destroyed to keep but too precious to throw away, done so out of respect for the people who lost everything, to signify that their emotional value had been recognized, done from empathy.
One question I was unable to answer but still would like to know was who left each fragment behind? Were they family members, neighbors, or strangers like myself? I wonder if these fragments of life are still there serving as sentry or if they have been cast out.